Everything about The Huichol totally explained
The
Huichol or
Wixáritari are an indigenous ethnic group of western central
Mexico, living in the
Sierra Madre Occidental range in the Mexican states of
Nayarit,
Jalisco,
Zacatecas, and
Durango. They are best known to the larger world as the
Huichol, however, they refer to themselves as
Wixáritari ("the people") in their native
Huichol language. The adjectival form of
Wixáritari and name for their own language is
Wixárika.
Location
The Huichol claim that they originated in the State of
San Luis Potosí but later migrated westward to the parts of
Nayarit,
Jalisco,
Zacatecas, and
Durango in which the rugged Sierra of the Huichol is found. Once yearly, some Huichol journey back to
San Luís, their ancestral homeland to perform "Mitote"
Peyote ceremonies. The three main Huichol communities belong to the municipality of
Mezquitic,
Jalisco and are called San Sebastián Teponohuastlan (
Wautüa in Huichol), Santa María Cuexcomatitlán (
Tuapuri in Huichol) and
San Andrés Cohamiata (
Tatei Kié in Huichol). Other Huichol communities include Guadalupe Ocotán (in
Nayarit), and Santa Catarina and
Tuxpán de Bolaños in Jalisco. However only around 7,000 Wixáritari live in their homeland while some 13,000 have migrated to other places within Mexico, and other still live in
Cora communities in the
Mesa del Nayar.
History
The Huichol and the surrounding
Chichimecan tribes, such as the
Cora,
Tepehuán,
Pame and
Chichimeca Jonaz all partook in the
Mixtón Rebellion against the Conquistador forces of
Nuño Beltrán de Guzmán. They were not definitively conquered until the late 1600s. The
Cora people held out a little longer until
1722. But even after their "conquest" the Huichol and Cora held on to traditional customs although bending them to fit their new political situation. To a wide extent they kept their indigenous political structure based on the ceremonial centers
tukipa led by leaders called
kawiterutsixi "those who know all". They still hold on to this structure to this day and the Tukipa correspond to the three major Huichol settlements.
Language
The
Huichol language, Wixarika, is an
Uto-Aztecan language (Corachol branch) related to
Cora.
Lifestyle
The Huichol are dirt farmers, using
digging sticks to glean a living from land that's desert for half the year and jungle the other half. Often they must spend time working in
tobacco fields, which has been ruinous to their health. Owners of these large plantations are no longer allowed to use First World
pesticides too toxic to use in the countries where they're manufactured. Fortunately, the Huichol live in the mountains above Mazatlán and other coastal tourist meccas, and are able to sell their crafts. (They are also protected by their many
anthropologists, as they once were by
friars.) In summer, when the rains come, they live on their ranchos (farms) in tiny rancherias (hamlets) and make cheese from the milk from their cattle, which they slaughter and eat usually only during
fiestas. For the most part, their diet consists of tortillas, made from the Blue, Red, Yellow or White "Sacred corn," beans, rice and pasta, with the occasional chicken or pig, from which they make "Chicharrones," chili peppers, all supplemented with goods provided by nature, like "weizz," a legume gathered from trees, or "ciruelas" wild plums and guayabas (guavas).
Marriages are arranged by the parents when the children are very young. Huichol usually marry between the ages of fourteen and seventeen. Extended Huichol families live together in rancho settlements. These small communities consist of individual houses which belong to a nuclear family. Each settlement has a communal kitchen and the family shrine, called a xiriki, which is dedicated to the ancestors of the rancho. The buildings surround a central patio. The individual houses are traditionally built of stone or adobe with grass-thatched roofs.
A district of related ranchos is known as a temple district. Temple districts are all members of a larger community district. Each community district is ruled by a council of
kawiterutsixi, elder men who are usually also shamans.
The craftsmanship of the Huichol includes
embroidery, beadwork, sombreros (hats),
archery equipment, prayer arrows, and weaving, as well as "cuchuries", woven or embroidered bags.
The Huichol seek autonomy in their land, but have two governments, one native to the Huichol and one answering to the Mexican Government through "Municipal Agents" in the larger settlements. The government has established schools without much success in the Huichol Zone during the last 40 years, both church and state. A private Junior High School has led to some friction between "Town" and "Gown" among members of the tribe. Friction also exists between converts to Christianity, the scorned "aleluias," and followers of the old religion, which means the
evangelicals and their
missions are barely tolerated.
With the building of roads in the Huichol Zone in the last ten years, new influences are impacting the social fabric of the Huichol. Where mules, horses and burros used to be the main forms of transport, trucks are becoming more prominent, importing food, medicines and beer.
Religion and mythology
Their religion consists of four principal deities, the trinity of Corn, Blue Deer and
Peyote, and the eagle, all descended from their Sun God, "Tao Jreeku". Most Huichols retain the traditional beliefs and are resistant to change.
Peyote
Like many indigenous American groups, Huichols have traditionally used the
peyote cactus in religious rituals. Huichol practices seem to reflect pre-Colombian practices particularly accurately. These rituals involve singing, weeping, and contact with ancestor spirits.
Animism
Huichols have traditionally believed that in rituals they interact with the primal ancestor spirits of fire, deer, and other elements of the natural world.
Art
In traditional Huichol communities, an important ritual artefact is the
nieli'ka: a small square or round tablet with a hole in the center covered on one or both sides with a mixture of beeswax and pine resin into which threads of yarn are pressed. Nieli'kas are found in most Huichol sacred places such as house shrines (
xiriki), temples, springs and caves.
In the past thirty years, about four thousand Huichols have migrated to cities, primarily
Tepic, Nayarit,
Guadalajara and
Mexico City. It is these urbanized Huichols who have drawn attention to their rich culture through their art. To preserve their ancient beliefs they've begun making detailed and elaborate yarn paintings, a development and modernization of the nieli'ka.
For the Huichol however, yarn painting isn't only an aesthetic or commercial artform. The symbols in these paintings are sprung out of Huichol culture and its
shamanistic traditions. From the small beaded eggs and jaguar heads to the modern detailed yarn paintings in psychedelic colours, each is related to a part of Huichol tradition and belief.
The first large yarn paintings were exhibited in Guadalajara in 1962 which were simple and traditional. At present with the availability of a larger spectrum of commercial dyed and synthetic yarn, more finely spun yarn paintings have evolved into high quality works of art.
The beaded art is a relatively new innovation and is constructed using glass, plastic or metal beads pressed onto a wooden form covered in beeswax. Common bead art forms include masks, bowls and figurines. Like all Huichol art, the bead work depicts the prominent patterns and symbols featured in the Huichol religion.
Some Huichol shaman-artists have acquired some fame and commercial success: the acclaimed Huichol yarn painter José Benítez Sánchez has had an exposition of his works in the USA.
Further Information
Get more info on 'Huichol'.
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